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  • Club Bonafide


NYC'S MOST INTIMATE LIVE MUSIC VENUE 212 EAST 52ND STREET, 3RD FLOOR, NYC Artfully combining the "hush hush" exclusivity of a classic speakeasy with a vibrant contemporary approach to showcasing an array of today's [...]

  • Count Basie Orchestra - All about that Basie

COUNT BASIE ORCHESTRA – Makes History With All About That Basie

"All About that Basie" brings together legendary artists from across jazz and pop to join and celebrate the iconic Count Basie Orchestra September 14, 2018 release via Concord Jazz Legendary artists have come together to [...]

  • Ran Blake

RAN BLAKE- Celebrates Birthday With Solo Concert

New England Conservatory faculty member and pianist/composer Ran Blake celebrates his 83rd birthday with a solo concert  Performance on Saturday, August 18 at NYC's Jazz at Kitano Programs feature music from Film Noir, tribute to [...]

Reviews -

David KikoskiDavid Kikoski

 - Kayemode -

Although never the most famous of jazz pianists, David Kikoski has been one of the most vital of the past 30 years. He joined Roy Haynes' group back in 1986 (they have played together off and on ever since) and has since worked with many of the who's who of New York modern jazz including Randy Brecker, Bob Berg, Billy Hart, Craig Handy and the Mingus Big Band. Kayemode is his 18th CD as a leader and tenth for the Criss Cross label (www.crisscrossjazz.com).

For this project, Kikoski performs four of his originals and a song apiece by Charlie Parker, Pat Metheny, Chick Corea, Thelonious Monk and Jerome Kern. He is joined by bassist Joe Martin (who takes many concise solos) and drummer Justin Faulkner. Kikoski, who sometimes sounds close to vintage McCoy Tyner, also has a strong musical personality of his own and sounds particularly original on his more advanced originals.

The program begins with a beboppish Bird blues "Au Privave" but that can be thought of as a warm-up. Most of the remainder of the set is adventurous post-bop jazz. Such pieces as the eccentric "Binge Watching" and the rhythmically challenging "Switching Roles" feature close interaction by the trio with Kikoski often responding to the inventive ideas of his sidemen. The pianist's jazz waltz "Morning Glory" and the group's version of Corea's "Mirror Mirror" start out more conventionally but also have their freer moments, evolving as they progress. The music is never predictable.

After a colorful reworking of Thelonious Monk's "Trinkle Tinkle," the CD concludes with two songs that are a change of pace. "Smoke Gets In Your Eyes" is given a melodic and tasteful treatment while "Blues For Gerry" (for Criss Cross' owner and producer Gerry Teekens) gives Kikoski an opportunity to play some spontaneous solo piano.

All in all, Kayemode is an enjoyable effort by one of today's jazz piano greats.


Scott Yanow

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