Sitka Jazz Festival Thu-Sat, Feb 6-8 The Herbie Hancock Institute of Jazz Performance Ensemble at UCLA returns for the third year to the Sitka Jazz Festival to present clinics and a concert featuring special [...]
MusicMonthly.com - 3x JUNO (Canada's Grammys) nominees and Billboard charting Sultans of String take their wickedly eclectic and globetrotting grooves to California, with stops at FAR-West, Museum of Music Making and McCabe's Guitar Shop. Thrilling [...]
For Your Consideration BEST WORLD MUSIC ALBUM Sultans of String Christmas Caravan Featuring 6-time Grammy winning Paddy Moloney (The Chieftains), • Ruben Blades & Luba Mason (Panamanian 7 Grammy and 5 Latin Grammy winner), [...]
A major tenor-saxophonist since the turn of the last century, JD Allen performs a set of vintage ballads on Love Stone, his 13th CD as a leader. Since he is generally a hard-charging soloist who mostly performs originals, Love Stone is a real change of pace for him.
In his career, J.D. Allen has worked with such notables as Lester Bowie, Betty Carter, George Cables, Jack DeJohnette, David Murray, Wallace Roney, Cindy Blackman and Dave Douglas among others. He recently recorded original music on Radio Flyer with a group that also featured guitarist Liberty Ellman (best known for playing adventurous music with Henry Threadgill and Vijay Iyer), bassist Gregg August and drummer Rudy Royston. The same group is featured on Love Stone.
J.D. Allen takes all of the nine ballads at slow tempos (even "Put On A Happy Face" and "Gone With The Wind"), drawing out the beauty of the melodies and largely letting the music speak for itself through his tone. He digs into such tunes as "Strangers In Paradise," "Until The Real Thing Comes Along," "Prisoner Of Love," "Why Was I Born" and even the ancient folk melody "Come All Ye Fair And Tender Ladies." Allen learned the lyrics to each song (parts of which are reprinted on the inner sleeve) and puts plenty of honest feeling into his interpretations.
It takes a lot of maturity and self-restraint in order to play the music this way, without feeling compelled to give each song a solo filled with double-time runs. While Ellman also takes solos (which stray a bit more from the themes), Love Stone sticks to a quiet romantic mood. Play Love Stone at a low volume and it works well as background music, but turn up the volume a bit and one can hear thoughtful and very subtle improvising by a masterful tenor-saxophonist.
Love Stone, put out by the Savant label, is available from www.jazzdepot.com.