Nat King Cole – Jazz Pianist – Part 1
“Perhaps the first great crossover musician, Cole's evolution from dazzling pianist to luxuriant crooner has often caused the wringing of hands in the jazz audience. Yet one also wonders if, by the time he [...]
Notes and tones: Jazz Appreciation Month feels different this year
[Editor’s note: This is the first of a two-part series on Jazz Appreciation Month. Part One is an overview; Part Two will offer some specific domestic and international highlights, including a look at International Jazz Day [...]
Glastonbury Favorite Grainne Duffy Gains Chart Success With Sensational ‘Voodoo Blues’ Album
What started out as a slow burning, blues-rocking CD release last October, Voodoo Blues is deservedly achieving acclaim of incendiary proportions as word travels globally about Grainne Duffy’s best album to date. By Christmas [...]
A major tenor-saxophonist since the turn of the last century, JD Allen performs a set of vintage ballads on Love Stone, his 13th CD as a leader. Since he is generally a hard-charging soloist who mostly performs originals, Love Stone is a real change of pace for him.
In his career, J.D. Allen has worked with such notables as Lester Bowie, Betty Carter, George Cables, Jack DeJohnette, David Murray, Wallace Roney, Cindy Blackman and Dave Douglas among others. He recently recorded original music on Radio Flyer with a group that also featured guitarist Liberty Ellman (best known for playing adventurous music with Henry Threadgill and Vijay Iyer), bassist Gregg August and drummer Rudy Royston. The same group is featured on Love Stone.
J.D. Allen takes all of the nine ballads at slow tempos (even "Put On A Happy Face" and "Gone With The Wind"), drawing out the beauty of the melodies and largely letting the music speak for itself through his tone. He digs into such tunes as "Strangers In Paradise," "Until The Real Thing Comes Along," "Prisoner Of Love," "Why Was I Born" and even the ancient folk melody "Come All Ye Fair And Tender Ladies." Allen learned the lyrics to each song (parts of which are reprinted on the inner sleeve) and puts plenty of honest feeling into his interpretations.
It takes a lot of maturity and self-restraint in order to play the music this way, without feeling compelled to give each song a solo filled with double-time runs. While Ellman also takes solos (which stray a bit more from the themes), Love Stone sticks to a quiet romantic mood. Play Love Stone at a low volume and it works well as background music, but turn up the volume a bit and one can hear thoughtful and very subtle improvising by a masterful tenor-saxophonist.
Love Stone, put out by the Savant label, is available from www.jazzdepot.com.
